Cinema Reviews
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REVIEW: “Chief Daddy” Reflects Today’s Society – Glib, Torpid & Faddish (by )
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LIONHEART: Genevieve Nnaji Writes Enugu A Love Letter, But Some Paragraphs Are Missing – (By )
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CINEMA REVIEW: Yemi Morafa’s “Funke!” Could Have Been Golden, But It Ends Up Spelling Inexperience & Shoddiness
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CINEMA REVIEW: Omoni Oboli’s “Moms at War” Has What It Takes To Be Good But Unsurprisingly, It Isn’t
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CINEMA REVIEW: Moses Inwang’s “Crazy People” Has Little Comic Value But Rides On Its Good Story To make It An Above-Average Film
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CINEMA REVIEW: “Rule No. 1” Could Have Done Better With Consistent, More Thought-Out Plot But It’s Still Welcome Entertainment
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CINEMA REVIEW: Toyin Abraham’s “The Ghost And The Tout” Is An Improvement On “Alakada Reloaded”, But Still Lacks A Lot That Makes A Film Good
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CINEMA REVIEW: “Date Night” Leaves You Empty, Exhausted & Wishing You Weren’t Curious Enough To See It
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CINEMA REVIEW: Tosin Igho’s “The Eve” Has Too Many Misses You Can’t Ignore Them
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BLACK PANTHER: An African Review – By Olu Yomi Ososanya
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CINEMA REVIEW: “Mummy Dearest: The Wedding” – It’s Only The Second Part Of This Franchise But The Audience Is Already Spent
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CINEMA REVIEW: For All Who Worked On The Film, “Disguise” Is A Reputation Drainer
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CINEMA REVIEW: Alex Mouth’s “Memoirs Of 4” Is Unsure Of What To Do, Even With Its Many Big Faces
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REVIEW: Moses Inwang’s “Body Language” Is Ambitious & Attempts To Be More
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CINEMA REVIEW: Desmond Elliot’s “June” Has Just Added To The Growing List Of 2018 Nollywood Disappointments
