Cinema Reviews
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Cinema Review: “Hakkunde” Doesn’t Entertain Much, But Perhaps This Isn’t What It Aims To Do
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Cinema Review: “Banana Island Ghost – Imaginative Story Ensures BB Sasore’s Film Lives Up To Its Hype
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Cinema Review: “Trace” Tries To Tackle Issues, But Fails Spectacularly
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Cinema Review: “Picture Perfect” – Slow & Repetitive But Bolanle Ninalowo Makes A Statement With Sublime Performance
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Cinema Review: “ROTI” – Kunle Afolayan Delves Into Reincarnation & Returns With Sad, Unforgettable Story
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Cinema Review: With “Isoken”, Jadesola Osiberu Serves Up A Dish Worth The Mass-Salivating
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Review: Bad Lead Actors Rob Niyi Akinmolayan’s “Meet The In-Laws” Of Being A Super, Hilarious Romantic Comedy
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CINEMA REVIEW: Toyin Aimakhu’s “Alakada Reloaded” Is Plot-less, Story-less & Lacks Any Direction
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Nothing Slow About Eric Aghimien’s “Slow Country” – Toni Kan
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Cinema Review: Eric Aghimien’s “Slow Country” Falls Into A Pit Of Confused Clichés
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CINEMA REVIEW: “Desecration” Is Total Hogwash & A Desecration Of The Nollywood Space
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CINEMA REVIEW: Mr & Mrs. 2: A Sequel No One Asked For To A Film Nobody Remembers
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Cinema Review: Kunle Afolayan’s “Omugwo” Is Full Of Stand-Out Inconsistencies Despite Its Comedy
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Cinema Review: Rita Dominic & Femi Jacobs Fall Flat In “The Guest”
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Review: “Ovy’s Voice” Featuring #BBNaija’s Bisola Is A Very Fine Blend
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Cinema Review: Obi Ted Xavier’s “Climax” Is 90 Minutes Of Trash